Edited by Ilan Manouach and Benoît Crucifix, Synthetic Comics: Computation, Standardization, Automation gathers eleven essays on the long entanglement between comics and computational practice. Forthcoming from De Gruyter in 2026, the volume argues that the integration of generative AI into contemporary comics production is not a rupture but a continuation — comics have always been an industrial medium structured by automation, standardization, and the systematic management of visual information.

De Gruyter (2026). The publication of this volume was supported by the University of Cologne, KU Leuven, the University of Liège, and Echo Chamber.

Index

Introduction

Ilan Manouach & Benoît Crucifix

Unboxing Morgue Files. Towards a Media Genealogy of Synthetic Comics

Felipe Muhr & Benoît Crucifix

01

“You Wouldn’t Steal a Comic.” Rhetorics of piracy and the evolution of comics scanning

Kalervo Sinervo & Amanda Dunbar

02

Medium vs. Form as Rhetorics and Aesthetic Affordance. Digital Comics and the Ambivalence of the Interface

Lukas R.A. Wilde

03

Traces of the Combinatorial in Comics

Sébastien Conard

04

Without Meaningful Recourse to Trace. Grennan & Sperandio’s Digital Drawing in the 1990s

Simon Grennan

05

Deskilling and the Dataset. On the Antagonisms of Automating Diegetic Representations in Comics

Keith Tilford

06

The Auteur as Algorithm. Subjectivity, Trace and Automation in Comics Self-Publishing Practice

Gareth Brookes

07

AI in Comic Creation. Navigating the Latent Space

Francesco D’Isa

08

Ontogenetic Machines. The Transindividuation of American Superhero Comics

Per Israelson

09

Slow-Reading Fastwalkers

Pedro Moura

10